| journal - 'Wrong Side of the Road' reviewed: 'bloody Captain Cook bastards coming here' Filmnews. 01-12-2010. pp.10-12 |
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Annie Bickford,
Jeni Thornley
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| A well written analysis of the film, which looks at themes such as genocide, Aboriginal survival, work, racism, and identity, as well as the actual film's fo...[full record]
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| chapter - A century of Australian cinema : Developing pictures: Australian cinema (1970-1995) . 00-00-1995. pp.172-197 |
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Peter Kemp
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| This chapter is one in a series documenting the history of cinema in Australia. The book is beautifully presented and contains a large array of still photogr...[full record]
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| chapter - American Dreams, Australian Movies : Bob Ellis . 00-00-1986. pp.145-158 |
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Peter Hamilton,
Sue Mathews
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| This is an interview with Bob Ellis dissssing his views on the position of Australian writers, directors and producers in Hollywood feature film production a...[full record]
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| chapter - An Australian Film Reader : Part Three: Renaissance of the Feature . 00-00-1985. pp.139-143 |
| A summary of the readings within this section by Moran and O'Regan.
A key move of establishing a low-budget, experimental cinema to function as a kind of ...[full record]
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| chapter - Australian Cinema 1970-1985 : Growing Up Was Never Easy . 00-00-1987. pp.134-140 |
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Brian McFarlane
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| In this chapter, McFarlane investigates the 'current' rash of Austrlian films which he feels are predominately concerned with youth and personal identity.
H...[full record]
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| chapter - Australian National Cinema : A distinct place in the cinema . 00-00-1996. pp.232-257 |
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Tom O'Regan
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| Looks at Australian cinema with regards to:
Unoriginality and Cultural Weakness
Negotiating Political Weakness
Australian Cinema's In-betweenness
The Imp...[full record]
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| chapter - Australian National Cinema : Making A Distinct Cinema . 00-00-1996. p.270 |
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Tom O'Regan
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| Here, O'Regan cultivates the idea that whole generations foster a set of prescribed filmic expectations and/or phenomena.This, he believes, leads to the deve...[full record]
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| chapter - Back of Beyond: Discovering Australian Film and Television, October 20 - November 20, 1988 : Formative Landscapes . 00-00-1988. pp.21-33 |
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Ross Gibson
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| This chapter is an analysis of the 'landscape tradition' in Australian cinema. This involves the notion of landscape as leitmotif, character and all-pervadin...[full record]
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| journal - Camera Natura: Landscape in Australian Feature Films Framework 22. pp.47-51 |
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Ross Gibson
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| Gibson provides a detailed analytical discussion on the use of landscape in Australian feature films.
He argues that in Australian cinematic discourse it is...[full record]
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| newspaper - Dialogue on Film: Peter Weir American Film. 01-03-1986. pp.13 - 15 |
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Author Unknown
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| Peter Weir's film Gallipoli is seen to be the breakthrough for Australian films into the international arena, as it was the first Australian film to be picke...[full record]
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| journal - Gallipoli Filmnews. p.p11 |
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Sylvia Lawson
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| The article is a critical material that evaluates the representations of the Anzac history and its myth both on screen and in literature. [full record]
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| newspaper - Icy experience on tall screen The Advocate. 21-07-1999. p.26 |
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Matthew Myers
|
| [full record]
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| book - Images of Australia: 100 Films of the New Australian Cinema . 00-00-1991 |
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Neil Rattigan
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| Contains synopsis' for 100 Australian films.
In his text, Neil Rattigan breaks his critique into two areas 'story' and 'comment'.
Following are some of...[full record]
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| chapter - National Fictions: Literature, Film and the Construction of the Australian Narrative : Characterisation and Individualism . 00-00-1986. pp.87-105 |
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Graeme Turner
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| Turner, applying a dense theoretical model (lifted from Barthes), examines the type of individual implied by modes of characterisation in Australian narrativ...[full record]
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| newspaper - No title Advertiser, Adelaide. 24-10-1981 |
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Jill Kitson
|
| [full record]
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| newspaper - Patriotic overload The Weekend Australian. 15-07-1995 |
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Lynden Barber
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| Lynden Barber looks at the films chosen to be included in Celluloid Heroes and how they were mainly the box office successes.
These films despite 'ockeris...[full record]
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| journal - Peter Weir Positif 314. . pp.18-22 |
|
Christian Viviani
|
| Survey of Weir's films.[full record]
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| newspaper - Peter Weir and the Cinema of New Age Humanism Film Quarterly, Film Quarterly. pp.2 - 12 |
|
Gary Hentzi
|
| Looks at the underlying themes of Peter Weir's films. Weir is described as a "professed loner" who came to Hollywood with a reputation for art house cinema. ...[full record]
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| newspaper - Raymond Stanley talks to Peter Weir Screen International. 07-01-1978. p.6 |
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Raymond Stanley
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| Interview with Peter Weir from when he was 33. It talks about what inspired him to make some of his early films, and it's evident that from this early in his...[full record]
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| journal - Review of the book "The Films of Peter Weir: visions of alternate realities" Empire 48. p.105 |
|
Matt Mueller
|
| The review suggests that Peter Weir should be recognised as a significant figure in the Australian Film industry but it is not convinced by the book's focus ...[full record]
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| newspaper - Sentimental Blokes The Weekend Australian. 28-08-1999. p.22 |
|
Lynden Barber
|
| The new twist of the male characters the audiences want to see on screen and more new age sensitive male lead that are in touch with the feminine side.
...[full record]
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| chapter - South of the West: Postcolonialism and the Narrative Construction of Australia : Yarning . 00-00-1992. pp.135-157 |
|
Ross Gibson
|
| This chapter in the book talks about The Back of Beyond in relation to nationalism, developmentalism, assimilation of races, multiculturalism, "narrative hum...[full record]
|
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| book - The Avocado Plantation: Boom and Bust in the Australian Film Industry . 00-00-1990 |
|
David Stratton
|
| David Stratton tells the behind the scenes stories of how the films were made or in some cases, unmade.
He talks with directors, producers, writers, act...[full record]
|
| |
| book - The Avocado Plantation: Boom and Bust in the Australian Film Industry . 00-00-1990 |
|
David Stratton
|
| David Stratton tells the behind the scenes stories of how the films were made or in some cases, unmade.
He talks with directors, producers, writers, act...[full record]
|
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| chapter - The Imaginary Industry, Australian Film in the Late '80s : The Aesthetic Force Field I: The AFC-Genre and the Social Realist FIlm in the '80s . 00-00-1988. pp.81-97 |
|
Susan Dermody,
Elizabeth Jacka
|
| This book is a thorough analysis of the Australian film industry during the 1980's. It details conditions such as finance, marketing and government policy wh...[full record]
|
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| journal - The myth of mateship Meanjin Quarterly. pp.p163-172 |
|
Dennis Altman
|
| This article discusses the development of the myth of mateship in Australia, together with the exminations of history and literature that illuminate the pres...[full record]
|
| |
| journal - Whatever Happened to National Identity? Metro M100. . pp.32-35 |
|
Graeme Turner
|
| Turner discusses the construction of Ausralianess in film's. He plots the notion of national identity as a chronology from the 70's film revival until the 9...[full record]
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| journal - Wrong Side of the Road Cinema Papers, Filmnews, Variety, Roadrunner, RAM 173 V4. pp.8-9, 12 |
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Author Unknown,
Annie Bickford,
Gilly Leahy
|
| An interview with Wrong Side of the Road co-producer/director Ned Lander, co-producer Graeme Isaac, Veronica Brodie and Lelia Rankine. Deals with the filmâ...[full record]
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| newspaper - Wrong Side on right track for Aboriginies The Australian. 30-10-1981. p.45 |
|
Meaghan Morris
|
| An article on the film, which highlights the film's importance in relation to the representations of Aboriginies and in relation to other road movies.[full record]
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