| Title | The Big Steal | 
    
    
    
        | Copyright Title | The Big Steal | 
    
    
    
        | Released | 1990 | 
    
    
    
        | Production Year | 1990 | 
    
    
    
    
        | Director | Nadia Tass | 
        | Comments | 
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        | Synopsis | 
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    | tags: caper cars comedy heist melbourne add tag
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        | References ( click to view ) |  
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    | journal - Ben Mendelsohn Cinema Papers 119. pp.18 - 22 |  
    | Tim Hunter |  
    | This article is essentially a detailed biography of Ben Mendelsohn with his feature film production history outlined. A personal perspective is offered on ev...[full record] |  |  |  
    | newspaper - Filmmakers want home support West Australian. 15-03-1997. p.6 |  
    | Mark Naglazas |  
    | Barbs aimed at distributors and Australian audiences with regard to both the distribution and attendance of Australian audiences.
Andrew Pike talks about th...[full record] |  |  |  
    | newspaper - That's not a film - this is a film. Science and art come to the rescue of Australian cinema classics. The Age. 17-12-2005. p.12 |  
    | Steven Down |  
    | The article 'That's not a film - this is a film. Science and art come to the rescue of Australian cinema classics.' provides an insight into the Kodak / Atla...[full record] |  |  |  
    | journal - The Nostradamus Kid Variety, Rolling Stone |  
    | Quinn Karl,
                
        
            
                David Stratton,
                
        
            
                Andrew Urban |  
    | A review of the Bob Ellis's film, 'The Nostradamus Kid'. [full record] |  |  |  
    | journal - The Year The Dam Broke The Independent Monthly. 01-10-1990. pp.44 - 46 |  
    | Discussion of the competition in the 1990 Australian Film Institute Awards, with particular reference made to Flirting and The Big Steal. Synopsis and brief ...[full record] |  |  |  
    | journal - Whatever Happened to National Identity? Metro M100. . pp.32-35 |  
    | Graeme Turner |  
    | Turner discusses the construction of Ausralianess in film's.  He plots the notion of national identity as a chronology from the 70's film revival until the 9...[full record] |  |  |  |  
        | Close References |  |