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Jeni Thornley |
| Comments |
here is a filmography if relevant:
Film For Discussion, 1974 .
An improvised drama/documentary exploring change in a young woman's life.
(with Martha Ansara and the Sydney Women's Film Group). Documentary
Finalist, GUO Awards, Sydney Film Festival 1974
Distributor; - Screen Studies Collection, Cinemedia,
Melbourne: Tel. 03 9929 7044 / Fax. 03 9929 7027
Still Life, 1974
An artist's model poses for an all male class.
(with Dasha Ross). International Women's Film Festival, Australia 1975;
Cannes Film Festival, (Musidora) Cinema & Freedom 1976
International Women's Film Festival, Rome 1976
Distributor - Anandi Films, Sydney: Tel. / Fax. 02 9918 4054
anandi@nectar.com.au
Maidens, 1978
A poetic autobiography exploring four generations of women.
Best Film, General Section, GUO Awards, Sydney Film Festival 1978; Gold
Hugo: Best Short Film, Chicago Film Festival 1979; Diploma of Merit,
Melbourne Film Festival 1979; Flaherty Documentary Seminar 1979
Distributor - Australian Film Institute AFI Distribution, Melbourne: Tel.
03 9696 1844 / Fax. 03 9696 7972
For Love or Money , 1983
A History of Women and Work in Australia (and Penguin book).
(with Megan McMurchy, Margot Nash and Margot Oliver)
Best Feature Documentary, International Cinema del Cinema delle Donne,
Florence 1984; Nomination for Best Screenplay, Best Documentary, AFI Awards
1984; Highly Commended United Nations Media Peace Prize 1985
Distributor - Ronin Films, Canberra: Tel. 06 248 0851 / Fax. 06 249 1640
To The Other Shore, 1996
A deeply personal film about psychoanalysis and the maternal .
Nominated for AWGIE awards for Best Documentary Script, Australian Writers
Guild 1996 and Best Music Score in a Documentary, Australian Guild of
Screen Composers 1996
Distributor - Anandi Films Sydney: Tel. / Fax. 02 9918 4054anandi@nectar.com.au
(Nominated for 1996 AWGIE awards for Best Documentary Script, Australian
Writers Guild, and Best Music Score in a Documentary, Australian Guild of
Screen Composers).
THEMHS International Conference on Mental Health 1997, Brisbane
International Film Festival 1997, Madrid Experimental Film Week 1997,
Calcutta International Film Festival 1997, 5th International Documentary
Conference, Brisbane 1997, Mumbai International Documentary Film Festival
1998, Freud Conference, Deakin University 1998, After the Masters, Ivan
Dougherty Gallery 1998, Brisbane Centre for Psychoanalytic Studies, State
Library of Qld & QPIX, 1998.,
Films de Femmes, Creteil, Paris 1999,Crossing Boundaries - Post- Graduate
Program, UWS 1999Centre for Critical Psychology, Post Graduate Seminar UWS 1999. |
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Author ( click to view )
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| chapter - don't shoot darling : personal statement . 00-00-1987. pp.185-192 |
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Corinne Cantrill
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| articulate account of a rich filmmaking career[full record]
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| journal - 'Wrong Side of the Road' reviewed: 'bloody Captain Cook bastards coming here' Filmnews. 01-12-2010. pp.10-12 |
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Annie Bickford,
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| A well written analysis of the film, which looks at themes such as genocide, Aboriginal survival, work, racism, and identity, as well as the actual film's fo...[full record]
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References ( click to view )
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| book - australian idependent film . 00-00-1982 |
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Victoria Treole
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| outlines the content, structure, production and prizes[full record]
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| chapter - Australian National Cinema : Making A Distinct Cinema . 00-00-1996. p.270 |
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Tom O'Regan
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| Here, O'Regan cultivates the idea that whole generations foster a set of prescribed filmic expectations and/or phenomena.This, he believes, leads to the deve...[full record]
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| chapter - don't shoot darling : personal statement . 00-00-1987. pp.185-192 |
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Corinne Cantrill
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| articulate account of a rich filmmaking career[full record]
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| book - Marketing and Distribution . 00-00-1990 |
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Jennifer Stott
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| Jennifer Stott writes a practical guide to independent film and video production on what goes on when Australian film is marketed, produced and promoted.
T...[full record]
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| chapter - The New Australian Cinema : Personal relationships and sexuality . 00-00-1980. pp.138-153 |
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Meaghan Morris
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| This chapter deals with representations of gender, inter-personal relationships and sexuality in Australian film. It is part of a collection of articles whic...[full record]
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