| journal - a day in the life: the work of a film director Metro. pp.30-31 |
|
alan tsilimidos
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| a director's running commentary of a day in the life of himself - vocationally speaking. it explores the hustle and bustle of self-inflicted busy business t...[full record]
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| journal - A Song of Air: Great Expectations Metro. pp.56-58 |
|
Lawrence Johnston
|
| a discussion of the emotional power of the Song of Air[full record]
|
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| journal - A Vital Voice: Indigenous Drama Metro. pp.24-27 |
|
Tim Hunter
|
| Discusses the selection process for the From Sand To Celluloid collection of short indigenous films and the film bodies which have supported the drama initia...[full record]
|
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| journal - a Way of Being Engaged With The World Metro. 01-01-1993. pp.47-55 |
|
Peter Hughes
|
| The article looks at John Hughes's films from a critical persepective and contains an indepth interview with him explainf the motivations behind some of his ...[full record]
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| journal - Contexts in which to place They're a Weird Mob and into which you might never have placed it before Metro. . p.174 |
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Quentin Turnour
|
| [full record]
|
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| journal - Dags, Drags and the Suburban Surreal Metro. pp.23-26 |
|
Karl Quinn
|
| Talks about the appearance of suburbia within Australian films and the continual move to abjection from domestication. Also mentions the sylistic void that t...[full record]
|
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| journal - Dirty Deeds Metro V134. 01-01-2002. pp.156-63 |
|
Mandy Salomon
|
| Interview with production designer Chris Kennedy and lead actor Bryan Brown, who each talk about the making of DIRTY DEEDS. A review of the film is also incl...[full record]
|
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| journal - Finding an Audience: The Challenge for Australian Cinema. Metro. p.240 |
|
Tina Kaufman
|
| [full record]
|
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| journal - From Video to Film and Back Again Metro V107. . pp.48-53 |
|
Tom Zubrycki
|
| Zubrycki talks about his early video-making with local resident action groups in the 1970s, his influences, change of documentary style, films he's made and ...[full record]
|
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| journal - Genre, Style and Address in High Tide Metro. pp.17-20 |
|
Stephen Crofts
|
| [full record]
|
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| journal - Great Queer Wave Breaks Metro. pp.35-38 |
|
Elizabeth Stoney
|
| This is an interview with the 1994 Melbourne Queer Film and VIdoe Festival vice president, Chris Berry, about the changing nature of queer film. It focuses o...[full record]
|
| |
| journal - Homeward bound Metro 157. 00-06-2008 |
|
Matthew Clayfield
|
| Article on the films blah and blahdiblah[full record]
|
| |
| journal - Human Touch: an interview with Paul Cox Metro V134. 01-10-2002. pp.72-75 |
|
Joshua McAtamney
|
| Director Paul Cox talks mainly about the making of MOLOKAI: THE STORY OF FATHER DAMIEN and his career.[full record]
|
| |
| journal - Mad Dog Morgan Metro 164. 00-03-2010. pp.80-88 |
|
Constantine Verevis
|
| Article on Mad Dog Morgan that looks at various aspects of the film including the film's production, the aspects of the film narrative and general themes, an...[full record]
|
| |
| journal - Memories and Dreams Metro 99. p.236 |
|
Lisa Horler
|
| [full record]
|
| |
| journal - Missing - Screen Culture Metro V121. . pp.13-16 |
|
Tina Kaufman
|
| Talks about the lamentable state of the Australian film industry, the level of local production and the importance of developing a 'screen culture savvy' aud...[full record]
|
| |
| journal - Mothers and lovers, oedipal transgressions in recent Australian cinema Metro 91. . pp.14-22 |
|
Barbara Creed
|
| As the title suggests article deals with Scott and his mother, and the effect Scott's triumph over his mother has on his father.[full record]
|
| |
| journal - Muddying the Mythological waters: Aboriginality in Australian Film Metro. pp.18-21 |
|
Karen Jennings
|
| [full record]
|
| |
| journal - My First Feature in the Cannes Metro 117. pp.pp. 53-58 |
| This is an edited transcript of one of the AFI Conversations on Film that involved the responses of director Samantha Lang, actress Pamela Rabe and Director ...[full record]
|
| |
| journal - The Big Combo Metro. pp.43-48 |
|
Peter Doyle
|
| An article which discusses the crime and spy genres in film and television. Well worth a read!!!![full record]
|
| |
| journal - The Commonwealth Film Unit: Predecessors and Precursors Metro 104. . pp.52-57 |
|
Deane Williams
|
| Deane Williams profiles three film-makers - Maslyn Williams, Colin Dean and John Heyer and contextualises their documentary work within the film culture of t...[full record]
|
| |
| journal - The essential cinematic Ned Metro 52. pp.15-17 |
|
Ina Bertrand
|
| A feature acticle discussing the various films that were made on the basis of the Kelly legend.[full record]
|
| |
| journal - The Extraodinary in the Ordinary Metro. pp.31-34 |
|
Louise Wignall
|
| This article deals with the deeper meanings of the characters within Muriels and asks Hogan about the motivations behind their actions within the film.
The ...[full record]
|
| |
| journal - The films of Jane Campion Metro 95. p.231 |
|
John Slavin
|
| [full record]
|
| |
| journal - The Hard Word Metro V134. 01-01-2002. pp.48-54 |
|
Matthew Dillon
|
| Review of The HARD WORD, followed by an interview with Scott Roberts and Al Clark.[full record]
|
| |
| journal - The quirky working class: Prime Mover Metro 163. 00-00-2009. pp.20-25 |
|
Rjurik Davidson
|
| Review of Prime Mover[full record]
|
| |
| journal - The Waterside Workers' Federation Film Unit - The Forgotten Frontier of the Fifties Metro. . pp.28-39 |
|
Martha Ansara,
Lisa Milner
|
| Tells the story of various film units in existence in the 1950's which made documentaries. mainly the Waterside Workers Federation Film Unit. Looks at the hi...[full record]
|
| |
| journal - Tom Zubrycki on filmmaking, history and other obsessions Metro. . pp.96-100 |
|
Patrick Armstrong
|
| Tom Zubrycki reflects on his twenty-five years making documentary films. He discusses thematic concerns, changes to his filmmaking style, his passion for so...[full record]
|
| |
| journal - Two laws Metro, Filmviews, Cinema Papers, The Virgin Press. pp.p.328-329, |
|
Author Unknown,
Marcus Breen,
John Avery
|
| Discussion of the film made by the Borroloola people with the assistance of Alessandro Cavadini and Carolyn Strachan on the struggle for recognition of Abori...[full record]
|
| |
| journal - Versions of History Metro. . pp.86-91 |
|
Quentin Turnour
|
| This is a book review of the 1998 revised edition of Australian Film 1900-1977 by Andrew Pike & Ross Cooper. While acknowledging the groundbreaking work of ...[full record]
|
| |
| journal - What's in a helmet? Metro. pp.9-13 |
|
Gary Sturgess
|
| Interview with Writer-director Ian Jones, historian John McQuilty,and television producer Don Bennetts including small reference to Bennetts's disapproval of...[full record]
|
| |
| journal - Whatever Happened to National Identity? Metro M100. . pp.32-35 |
|
Graeme Turner
|
| Turner discusses the construction of Ausralianess in film's. He plots the notion of national identity as a chronology from the 70's film revival until the 9...[full record]
|
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