| chapter - Stay Tuned : Paul Hogan's Television Commercials . 00-00-1992. pp.116-119 |
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Christopher Page
|
| Brief examination of Hogan's Winfield and ATC commercials.[full record]
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| chapter - The Australian Screen : Black (and white) images: Aborigines and film . 00-00-1989. p.232 |
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|
| [full record]
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| chapter - An Australian Film Reader : Strategies for an Industry - Government Intervention . 00-00-1968. pp.166-170 |
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Michael Thornhill
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| Thornhill's essay is in full support of Government intervention and he has condemned Ken Hall, claiming he has denied Australian films the chance to fairly c...[full record]
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| chapter - An Australian Film Reader : Strategies for an Industry - Television and Co-Production . 00-00-1985. pp.158-165 |
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Ken Hall
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| Written in 1968, several years before tax concessions for film makers were available, Hall makes his case for co-production to become the model for future fi...[full record]
|
| |
| book - An Australian Film Reader . 00-00-1985 |
| A collection of articles exploring Australian film spanning the silent and early sound period; documentary work, commercial features from 1971 and independen...[full record]
|
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| chapter - An Australian Film Reader : The Back of Beyond . 00-00-1985. pp.98-99 |
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Alan Stout
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| This is a review by Alan Stout which was broadcasted over a radio programme in 1954. It tells what the film is about, what kind of shots to expect and encour...[full record]
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| chapter - An Australian Film Reader : Part Three: Renaissance of the Feature . 00-00-1985. pp.139-143 |
| A summary of the readings within this section by Moran and O'Regan.
A key move of establishing a low-budget, experimental cinema to function as a kind of ...[full record]
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| chapter - An Australian Film Reader : Black Australia and Film: only if it makes money . 00-00-1985. pp.333-337 |
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Anne Hutton
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| A useful commentary indicting the imbalance inherent in Australian film, which sees Angllo-Saxon Australian filmmakers representing Aborigines, rather than A...[full record]
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| chapter - An Australian Film Reader : Australian Left film history . 00-00-1985. pp.338-349 |
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Charles Merewether
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| A selection of readings on Australian film spanning sixty years. Contains sections on the beginnings of the Australian film industry, documentaries, the rena...[full record]
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| chapter - An Australian Film Reader : A Documentary Aesthetic . 00-00-1985. pp.92-97 |
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John Heyer
|
| John Heyer talks about filmmaking in Australia from 1920s to 1950s, government and private intervention, and how The Back of Beyond fits into the Australian ...[full record]
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| chapter - An Australian Film Reader : Australian Film, 1969 . 00-00-1985. pp.175-183 |
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Sylvia Lawson
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| Opinion piece on the state of the Australian film industry in 1969.[full record]
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| chapter - The Australian Screen : Indefinite objects: independent film and video . 00-00-1989. pp.170-190 |
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Adrian Martin
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| An attempt to create a subjective history through modes, not genres for low-budget, experimental filmmaking that is not the Cantrills Filmnotes.[full record]
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| chapter - The Australian Screen : Film in the 1980's . 00-00-1989 |
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Tom O'Regan
|
| [full record]
|
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| chapter - The Australian Screen : The Fairest Child Of The Motherland: Colonialisation And Family In Films Of The 1920s And 1930s . 00-00-1989. pp.29-52 |
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William Routt
|
| This article explores films from the '20s and '30s, the portrayl of women and the films' association with colonialisation. Twelvetrees' character Joan Dean (...[full record]
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| chapter - The Australian Screen : Cinema Oz: the Ocker films . 00-00-1989. pp.75-89 |
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Tom O'Regan
|
| Mentions how Stork is evident of the Australian "ocker" film or style.[full record]
|
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| book - The Australian Screen . 00-00-1989 |
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Eric Reade,
Tom O'Regan
|
| Illustrations, brief critical review, historical perspective in relation to co-productions
(Casey)- Australian cinema through the 1920's and 1930's. [full record]
(Casey)
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