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Stanley Hawes |
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Author ( click to view )
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| web - Mike and Stefani Supporting Documents : Mike and Stefani Production Letters . |
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R Williams,
Kevin Murphy
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| A detailed insight into the production process of making Mike and Stefani, as shown through the letters exchanged between Maslyn Williams, Stanley Hawes and ...[full record]
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References ( click to view )
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| web - Mike & Stefani Supporting Documents 2002 : The production and distribution of Mike and Stefani: putting the letters into context. . 00-00-2002 |
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Deane Williams,
Ina Bertrand
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| As 'Mike and Stefani'was shot in post war Germany, Maslyn Williams writes to Hawes and Murphy about his plans for making the film. Bertrand puts the corresp...[full record]
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| web - Mike and Stefani Supporting Documents : Mike and Stefani Production Letters . |
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R Williams,
Kevin Murphy
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| A detailed insight into the production process of making Mike and Stefani, as shown through the letters exchanged between Maslyn Williams, Stanley Hawes and ...[full record]
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| web - Mike and Stefani Supporting Documents 2002 : Mike and Stefani: Further Reading and Viewing . 00-00-2002 |
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Author Unknown
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| A bibliography of reading material related to 'Mike and Stefani', the Commonwealth Film Unit, Stanley Hawes and film production in Australia. Also lists oth...[full record]
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| book - Projecting Australia: Government film since 1945 . 00-00-1991 |
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Albert Moran
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| The book charts how the Australian government's film making Unit (known as Film Australia since 1973) has reflected Australian society through film. It expl...[full record]
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| web - Screening the Past : Theory into Practice: Stanley Hawes and the Commonwealth Film Unit . 01-07-1999 |
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Ina Bertrand
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| An in-depth look at Stanley Hawes: his concept of the goals of documentary film and his role as a producer and director in the Unit, which later became known...[full record]
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| journal - The Commonwealth Film Unit: Predecessors and Precursors Metro 104. . pp.52-57 |
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Deane Williams
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| Deane Williams profiles three film-makers - Maslyn Williams, Colin Dean and John Heyer and contextualises their documentary work within the film culture of t...[full record]
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