| Name |
Jane Scott |
| Comments |
Jane Scott came to prominence on the world stage as a film producer in 1996 following the success of SHINE which received a multitude of awards, including nine AFI Awards, and was nominated for Best Film at the 1996 Golden Globes, the 1996 Academy Awards and the 1996 British Academy Film and Television Arts Award. For Her role Jane was nominated by the Producers Guild of America for the 1996 Producer of the Year Award.
Jane Scott's background was in magazine journalism in London, Jane joined the British Film Production Board, as Production Co-Ordinator working on a large number of short films for the BFI and the Arts Council of Great Britain.
Jane's association with the Australian Film Industry began in 1972 when she worked with Bruce Beresford on THE ADVENTURES OF BARRY MCKENZIE, completeing the production in Australia. Jane worked in Australia and England in the 1970's and has been based in Australia since the early 1980's.
Projects Jane Scott has been associated with are as follows:
'Barry McKenzie Holds His Own' 1974 director Bruce Beresford.
1976 'Storm Boy' Director Henri Safran.
1978 'My Brilliqant Career' Director Gillian Armstrong.
Jane Scott Associate Producer.
1985 'Crocodile Dundee' Director Peter Faiman, Jane Scott, Line Producer.
1986 'Echoes Of Paradise' Director Phil Noyce, Jane Scott, Line Producer.
1988 'Crocodile Dundee 2' Director John Cornell.
1990 'The Boys From The Bush'BBC/series.
1991 'Strictly Ballroom' Director Bat Luhrman, Jane Scott, Line Producer.
1992 'The Tommy Knockers' Stephen King, US ABC TV miniseries, Jane Scott, Producer.
Jane is a member of the Academy of Motion Picture, Arts and Sciences,a member of The British Academy Film and Television Arts, and served as a Director to the Board of the South Australian Film Corporation from 1990-95.
1997 'Head On' Jane Scott, Producer.
|
tags:
add tag Please Wait...
|
|
|
| |
|
References ( click to view )
|
| newspaper - After the drubbing The Age. 25-11-2004. p.n.p. |
|
Gabriella Coslovich
|
| Interesting, in-depth article about the Australian film industry, with perspectives from all sides of the story: film-maker Ana Kokkinos, FFC's Tait Brady an...[full record]
|
| |
| newspaper - Diving head-on into honesty Adelaide Advertiser. 27-05-1998. p.108 |
|
Chris Manly
|
| [full record]
|
| |
| newspaper - Freedom Fighters Herald Sun. 13-06-1998. p.110 |
|
Chris Manly
|
| Jane Scott talks about Head On being a landmark film for Australia and elswhere because of it's honesty.
Ana Kokkinos talks about reading the novel Loaded...[full record]
|
| |
| newspaper - Freedom Fights Herald Sun. 13-06-1998. p.110 |
|
Chris Manly
|
| Discusses the Greekness of Head On and the filming process of the film.
[full record]
|
| |
| journal - Head On : Head On HQ Magazine |
|
Author Unknown,
Amruta Slee
|
| This article reviews the film Head On and discusses in brief the background of the film.
[full record]
|
| |
| newspaper - Hollywood Myths vs Greek reality The Australian. p.20 |
|
Lynden Barber
|
| Jane Scott after the success of Shine turned down lucrative development deals with American Studio's to work with Ana Kokkinos on Head On.
Jane Scott tells ...[full record]
|
| |
| newspaper - Hollywood myths vs Greek reality The Australian. 13-02-1998. p.20 |
|
Lynden Barber
|
| Discusses the path Jane Scott took after the Oscar winning 'Shine'.
[full record]
|
| |
| newspaper - Loaded with Inspiration The Age. 09-05-1998. p.3 |
|
Philippa Hawker
|
|
[full record]
|
| |
| newspaper - Reel Women The Weekend Australian. 25-04-1998. pp.1-7 |
|
Lynden Barber
|
| Ana Kokkinos is the latest in an impressive line of Australian female directors given entree to the worlds most sought-after film forum. Why do we produce so...[full record]
|
| |
| journal - Strictly Ballroom Australia Vogue. 01-01-1994. pp.82-6 |
|
Caroline Baum
|
| [full record]
|
| |
| newspaper - Tackling The Tough Issues Adelaide Advertiser. 19-05-1998. p.50 |
|
Chris Manly
|
|
[full record]
|
| |
|
|
Close References
|
|
| |
