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Ernie Dingo |
| Comments |
Ernie began his theatrical career with the Middar Aboriginal Dance Theatre in 1978 in Perth, Western Australia, which toured Germany during that year. He also Worked with the Aboriginal and Islander Dance Theatre.
THEATRE:
1991
Munjong
Bran Nue Day
1990
Bran Nue Day
1988
Timewarp
Bunaba Film Makers Workshop
The Frank Chickens
1987
National Black Playwrights Conference
Gardzienile Zubrycka Theatre Association
1986
Mr Halley and the Night of Comets
The Night of a Thousand Visions
No Sugar
State of Shock
1985
No Sugar
Bully's House
1984
State of Shock
Mereki the Peace Maker
1983
The Dreamers by Jack Davis
Kullark by Jack Davis
Ernie has also become a bit of a household name from his film and Television roles.
FILM:
1990
Till the End of the World
1988
Cappuccino
1987
Tommy Tricker and the Stamp Traveller
Crocodile Dundee II
1985
The Fringe Dwellers
TELEVISION:
The Great Outdoors
1992
The Flying Doctors
1991
Clowning Around (Mini Series)
1989
Ultraman
The Saint
Rafferty's Rules
Fast Forward
1988
Dolphin Bay
Dreaming of Lords
Ray Martin Show
That's Australia
Swap Shop
1987
A Waltz through the Hills
Tadawali
Dirtwater Dynasty
Relative Merit
1986
Blue Lightening (sp?)
1984
Cowra Breakout
Archer
Off the Dish
Joe Wilson
AWARDS:
June 1990 - Awarded in General Division, order of Australia by her Majesty the Queen.
Winner of best actor in a television drama for A Waltz through the Hills at the 30th Australian Film Institute Awards.
Nominated for best actor in a television drama for Tadawali at te 29th Australian Film Institute Awards.
Accepted special Jury Prize for Tadawali - Banff Television Festival |
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References ( click to view )
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| newspaper - 'Mystery' film scoops AFI awards The West Australian. 10-10-1987 |
| This article is a rundown of awards won at the Australian Film Institute Awards in 1987. A brief synopsis of The Year My Voice Broke is provided in addition ...[full record]
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| web - Ausfilm: Australian Film Database : Director Search Results For: |
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Richard Rankin
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| This page consist of a list of all the film/TV productions Bob Ellis has directed. Each of the production is an active link to their respective information a...[full record]
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| journal - Muddying the Mythological waters: Aboriginality in Australian Film Metro. pp.18-21 |
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Karen Jennings
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| book - Seeing is Believing: Scriptwriting in a Multicultural Society . 00-00-1990 |
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| Forum debate involving various speakers, held at the Australian Film, Television and Radio School in Sydney - September 1990.
Speakers debate about wheth...[full record]
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| chapter - The Imaginary Industry, Australian Film in the Late '80s : The Aesthetic Force Field I: The AFC-Genre and the Social Realist FIlm in the '80s . 00-00-1988. pp.81-97 |
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Susan Dermody,
Elizabeth Jacka
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| This book is a thorough analysis of the Australian film industry during the 1980's. It details conditions such as finance, marketing and government policy wh...[full record]
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| chapter - The Imaginary Industry, Australian Film in the Late 80's : Kennedy-Miller: 'House Style' In Australian Television . 00-00-1988. pp.178-199 |
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Susan Dermody,
Elizabeth Jacka
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| An analysis of Kennedy-Miller Productions within the frame of the 'production house case study'. Topics discussed include; the 'ensemble' mode of production,...[full record]
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Close References
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