| Reference Type |
chapter
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| Title |
Studies in Australasian Cinema |
| Chapter/Web article title |
Cinema in a small state: distribution and exhibition in Adelaide at the coming of sound |
| Author(s) | Mike Walsh |
| State |
VIC |
| Country |
Australia |
| Publication Date |
00-00-2007 |
| Citation Date |
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| Page Number |
pp.299-313 |
| Comments |
The article examines the film distribution, film exhibition and some film sound and history.
In providing an example of what a fine-grained and intensely local film history might look like in an Australian context, a study such as this draws both on the long-standing tradition of industrial film histories which have become such an important part of American film history, as well as more recent work on local cinema institutions and local audiences. Studies such as this one are beginning to gain strength as film historians seek alternatives to approaches that put all the cards in the hand of the text, and instead begin to seek out real historic participants in the cinema rather than simply subject positions. |
tags: Chengmin ZONG
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Notes ( click to view )
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| Film distribution |
Film distribution is very important for the movie
For example, if the distributor is handling an imported or foreign film securing dubbing or subtitling for the film. It is very useful for the people given the high marks.
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| Film exhibition |
To get a perfect film exhibition, it should be:
1,recognize excellence in the cultural film exhibition sector
2,support projects that increase audiences for specialised film and sustain a rich film viewing culture in Melbourne
3,support established exhibitors who contribute to the breadth and diversity of audiences.
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