| Title |
Crocodile Dundee II |
| Copyright Title |
Crocodile Dundee II |
| Released |
1988 |
| Production Year |
1987 |
| Director |
John Cornell
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| Comments |
Not as good as the first. In fact, not really good at all!! The plot is silly and predictable and the jokes few and rarely funny. |
| Synopsis |
Mick is now living wih Sue in New York. The pair get caught in the middle of a Columbian drug/murder scandal and Sue is kidnapped. Mick rescues her and whisks her back to Australia to hide out. But the badies follow them there......... |
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References ( click to view )
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| journal - Australian Films At The Australian Box Office . 00-00-2010 |
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Film Victoria
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| A report released by Film Victoria covering the box office takings of Australian films at the Australian Box Office between the years of 1964 â 2010. The r...[full record]
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| journal - Fair dinkum fillums Media Information Australia. pp.155-175 |
| Examines the huge success of Crocodile Dundee and Crocodile Dundee II and the appeal of Paul Hogan's persona
[full record]
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| journal - Hogan's Zeroes Time Out. 29-06-1994. p.28 |
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Nigel Kendall
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[full record]
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| journal - Muddying the Mythological waters: Aboriginality in Australian Film Metro. pp.18-21 |
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Karen Jennings
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| newspaper - No title Mercury. 17-01-1987 |
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Andrew Kruger
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| chapter - The Australian Screen : Film in the 1980's . 00-00-1989 |
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Tom O'Regan
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| [full record]
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| chapter - The Imaginary Industry, Australian Film in the Late '80s : The Aesthetic Force Field I: The AFC-Genre and the Social Realist FIlm in the '80s . 00-00-1988. pp.81-97 |
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Susan Dermody,
Elizabeth Jacka
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| This book is a thorough analysis of the Australian film industry during the 1980's. It details conditions such as finance, marketing and government policy wh...[full record]
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| book - Well I Heard It On The Radio And I Saw It On The Television An essay for the Australian Film Commission on the politics of filmmaking by and about Abor . 00-00-1993 |
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Marcia Langton
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| In the first section of her essay, Langton discusses the differences between settled and remote, traditional and contemporary Aboriginal communities and how ...[full record]
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