| Reference Type |
The New York Times
Unknown
|
| Title |
Critics Notebook |
| Chapter/Web article title |
Bitter Cycle of Love and Loathing Interrupted |
| Author(s) | Elvis Mitchell |
| Town |
New York |
| State |
Unknown |
| Country |
USA |
| Publication Date |
03-01-2001 |
| Citation Date |
|
| Page Number |
82 |
| Comments |
This piece gives us an insight into Moorhouseâs successful career at the beginning, but how womenâs success can quickly plummet. It delves more closely into the concept of what happened to Moorhouse after her hit, âProofâ and tries to give the reader ideas as to why her notoriety came to a sudden halt. It captures the essence of women surviving in the American film industry and comes provokes questions as to why there is such a small percentage of women in the American film industry. It personally then gives us an idea of Moorhouse as a director in America. It identifies what sort of films Moorhouse was saddled with and questions whether or not this was truly a reflection of what she actually perceived herself to be constructing once she made it to America.It gives us a simplistic view of Moorhouseâs struggle to make it big, and answers the questions as to why Moorhouse went from being in the spotlight to being brought back into the footsteps of her directing husband, P J Hogan. |
| Synopsis |
Elvis Mitchell delves into Moorhouseâs struggle to make it big in America. After she was labelled the next best thing after her hit movie âProofâ Moorhouse was forced to tackle the biggest test of her career: the American film industry whereby male directors ruled the settings. This is what this article is about: Moorhouseâs movie âProofâ but where did Moorhouse go after this? |
tags: How To Make an American Quilt Proof Russell Crowe
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