| Reference Type |
The Canberra Times
Unknown
|
| Title |
The Canberra Times Act Daily |
| Chapter/Web article title |
Director Speaks of cruelty and love in Proof |
| Author(s) | Hillel Italie |
| Town |
New York |
| State |
Unknown |
| Country |
USA |
| Publication Date |
27-04-1992 |
| Citation Date |
|
| Page Number |
13 |
| Comments |
This newspaper piece captures Moorhouseâs understanding of herself and a reflection of herself in the hit movie Proof. It is a piece that enables us to delve into her mind and understand what she was thinking and where some of her ideas came about in directing this movie. It provides interesting reasons as to why the main character in Proof was blind, why pictures were constantly used throughout the film and the frightening feeling of what it would be like to not be in control of oneâs own body. Her intrigued attitude into relationships based on hurting versus loving one another is also captured in this piece and highlights Moorhouseâs own understanding of a healthy and strong relationship. This piece gives a great insight into a directorâs mind in relation to why that movie has been made like that and the strings attached by the director to the actual occurrences in the movie itself. |
| Synopsis |
This article is about Moorhouseâs connection with her hit film, âProofâ. It is about her identity as a director as well as her life story developing through the character of Martin. It picks up on subtle similarities in the way in which Martin is a metaphoric reflection on Moorhouseâs own personal life. |
tags: Proof Sydney Film School
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